Nora Ancarola - Artista visual

WORKS

OCULTO
- oculto
Projects
- Language//la_langue
  - Before Language
  - Where the_ language to come
  - Llengualeche
  - Can my voice come in here?
  - IN_CERT
  - The_language that drags
  - We
- Panopticon_frontier 601
  - The project
  - I can't open my fist
  - Dimensions
  - The Booth of the Germans
  - Spy mirror
  - The device
- Lead and Silver Times
  - The project
  - Kafkian suitcases
  - Banyuls – Portbou_muga 600
  - Bentham’s Panoptic
  - Silver moments - Hospitality
  - Silver moments - Image's power
  - Silver moments - Silver’s (the) wound
  - Silver moments - The innocence of evil
  - Silver moments - Polysemic house taken
  - Silver moments - A goal to survive
  - Return home
  - Hoouseholds of La Seda
  - In Residence-Antaviana
- Plom-Plata
  - Editorial project
  - Book-archive
  - Exile Museum
- Another end. THE REMAINDER
  - The project
  - Audiovisual story
  - Artists and exhibition
  - Conferences and debates
- Discomfort politicisations
  - The project
  - Conferences and debates
  - Artists in production
  - Exhibition-archive
- Combinatorial optimization
- Trilogy of privacy
- Antikeres
- Domus Aurea
- Sybil
- Among book wings
- In the inner wine cellar I drank of my beloved
- Europe TV
- Small oranges from China
- Landscape memory
- Constelaciones
- Disappeared Missiones
- Wound of time
- River of silver
  - River of silver
  - River of silver (A.M)
  - River (of) silver
  - River on my body
- No water
Videos
- Introducction
- Video installations
- Single-channel videos
- Video - Documentary
- Video - poems
Photographs
- The last passage of W.B.
- #exterminationborders
- Panopticon screens
- Panopticon_making of
Paintings
Drawings
- Correcció
  - Correction - Nature
  - Correction
- CAPS.A.10
Editions

Correction

Correction was a video installation made in 1991 for the Barcelona Official Association of Quantity Surveyors as part of the Anar i Tornar (Outward and Return) cycle curated by Annemieke van de Pas. It was then installed in Vic, Buenos Aires and Copenhagen. Six television sets installed in a wooden structure broadcast the flow of a waterfall, recorded in just 6 seconds from 6 different viewpoints, in a coordinated way but with continuous, real sound from six different channels. This offers a rather unsettling visual journey, gradually discovered to be repetitive and unreal.
Of these videos, made in postproduction at Miguel Diaz' studios with the technical know-how of Joan Bayó, only a few editing photos and a couple of stills remain.

...”but I will correct what I have written. Not now; I will correct it when the time comes for the correction. Then I will correct it, and then I will correct what I have corrected, and I will then correct the correction again, and so on successively”...
(T. Bernhardt)