WORKS
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Projects
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Language//la_langue
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Panopticon_frontier 601
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Lead and Silver Times
- The project
- Kafkian suitcases
- Banyuls – Portbou_muga 600
- Bentham’s Panoptic
- Silver moments - Hospitality
- Silver moments - Image's power
- Silver moments - Silver’s (the) wound
- Silver moments - The innocence of evil
- Silver moments - Polysemic house taken
- Silver moments - A goal to survive
- Return home
- Hoouseholds of La Seda
- In Residence-Antaviana
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Plom-Plata
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Another end. THE REMAINDER
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Discomfort politicisations
- Combinatorial optimization
- Trilogy of privacy
- Antikeres
- Domus Aurea
- Sybil
- Among book wings
- In the inner wine cellar I drank of my beloved
- Europe TV
- Small oranges from China
- Landscape memory
- Constelaciones
- Disappeared Missiones
- Wound of time
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River of silver
- No water
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Videos
- Introducction
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Video installations
- Panopticon_frontier 601
- Kafkian suitcases
- Kenosi- Anti-Keres
- Among book wings. Book of sand
- Among book wings. Josefine
- Among book wings. Das Kind
- Domus Aurea
- Sybil
- Desire
- Wound. Narcissus' astonishment
- Wound. Holy Shroud
- Wound. Madelaine
- Cardamom
- From the Pampa to Les Garrigues
- Europa TV
- Europa TV. The viewer
- Correction
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Single-channel videos
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Video - Documentary
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Video - poems
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Photographs
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Paintings
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Drawings
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Correcció
- CAPS.A.10
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Editions
Silver moments - Silver’s (the) wound
Silver’s (the) wound
Installation. 2019
With Agnès WO
Wounds and more wounds because of the iniquity exercised by power. The wounds on people's bodies, those seen at first glance, still more than those that remain invisible and still persistent. Collective wounds, traumas
that creep into communities where they have stolen freedom, who have lost all or almost everything. Wounds, cracks, cracks that may seem epidermal, but that may penetrate the bone marrow of individual or social bodies.
And yet, the will that wounds can heal, that the moments of silver regenerate evil. (The piece is a tribute in memory of the dead to the Río de la Plata during the Argentine dictatorship between 1976 and 1983.)
Exposed in
Centre d’Art Maristany. Sant Cugat. 2019