Nora Ancarola - Artista visual

WORKS

OCULTO
- oculto
Projects
- Language//la_langue
  - Before Language
  - Where the_ language to come
  - Llengualeche
  - Can my voice come in here?
  - IN_CERT
  - The_language that drags
  - We
- Panopticon_frontier 601
  - The project
  - I can't open my fist
  - Dimensions
  - The Booth of the Germans
  - Spy mirror
  - The device
- Lead and Silver Times
  - The project
  - Kafkian suitcases
  - Banyuls – Portbou_muga 600
  - Bentham’s Panoptic
  - Silver moments - Hospitality
  - Silver moments - Image's power
  - Silver moments - Silver’s (the) wound
  - Silver moments - The innocence of evil
  - Silver moments - Polysemic house taken
  - Silver moments - A goal to survive
  - Return home
  - Hoouseholds of La Seda
  - In Residence-Antaviana
- Plom-Plata
  - Editorial project
  - Book-archive
  - Exile Museum
- Another end. THE REMAINDER
  - The project
  - Audiovisual story
  - Artists and exhibition
  - Conferences and debates
- Discomfort politicisations
  - The project
  - Conferences and debates
  - Artists in production
  - Exhibition-archive
- Combinatorial optimization
- Trilogy of privacy
- Antikeres
- Domus Aurea
- Sybil
- Among book wings
- In the inner wine cellar I drank of my beloved
- Europe TV
- Small oranges from China
- Landscape memory
- Constelaciones
- Disappeared Missiones
- Wound of time
- River of silver
  - River of silver
  - River of silver (A.M)
  - River (of) silver
  - River on my body
- No water
Videos
- Introducction
- Video installations
- Single-channel videos
- Video - Documentary
- Video - poems
Photographs
- The last passage of W.B.
- #exterminationborders
- Panopticon screens
- Panopticon_making of
Paintings
Drawings
- Correcció
  - Correction - Nature
  - Correction
- CAPS.A.10
Editions

Silver moments - Polysemic house taken

Polysemic house taken
Installation. 2019
With Agnès WO

In 1945, Julio Cortázar wrote his story "House taken" from a nightmare. At that time, in Argentina, the most conservative bourgeoisie felt threatened by the advancement of Peronism and the consequent participation in the political life of popular sectors, hitherto absolutely marginalized. This interpretation of the story, valid in the context and time in which it takes place, happens over time a metaphor of the actions that can happen in any conflictive political scenary where power exerts violence in the spaces of intimacy of the citizens.

Exposed in
Centre d’Art Maristany. Sant Cugat. 2019