Nora Ancarola - Artista visual

WORKS

OCULTO
- oculto
Projects
- Language//la_langue
  - Before Language
  - Where the_ language to come
  - Llengualeche
  - Can my voice come in here?
  - IN_CERT
  - The_language that drags
  - We
- Panopticon_frontier 601
  - The project
  - I can't open my fist
  - Dimensions
  - The Booth of the Germans
  - Spy mirror
  - The device
- Lead and Silver Times
  - The project
  - Kafkian suitcases
  - Banyuls – Portbou_muga 600
  - Bentham’s Panoptic
  - Silver moments - Hospitality
  - Silver moments - Image's power
  - Silver moments - Silver’s (the) wound
  - Silver moments - The innocence of evil
  - Silver moments - Polysemic house taken
  - Silver moments - A goal to survive
  - Return home
  - Hoouseholds of La Seda
  - In Residence-Antaviana
- Plom-Plata
  - Editorial project
  - Book-archive
  - Exile Museum
- Another end. THE REMAINDER
  - The project
  - Audiovisual story
  - Artists and exhibition
  - Conferences and debates
- Discomfort politicisations
  - The project
  - Conferences and debates
  - Artists in production
  - Exhibition-archive
- Combinatorial optimization
- Trilogy of privacy
- Antikeres
- Domus Aurea
- Sybil
- Among book wings
- In the inner wine cellar I drank of my beloved
- Europe TV
- Small oranges from China
- Landscape memory
- Constelaciones
- Disappeared Missiones
- Wound of time
- River of silver
  - River of silver
  - River of silver (A.M)
  - River (of) silver
  - River on my body
- No water
Videos
- Introducction
- Video installations
- Single-channel videos
- Video - Documentary
- Video - poems
Photographs
- The last passage of W.B.
- #exterminationborders
- Panopticon screens
- Panopticon_making of
Paintings
Drawings
- Correcció
  - Correction - Nature
  - Correction
- CAPS.A.10
Editions

Barcino

Produced by: MX Espai 1010
Duration: 8’ (loop)
Made: 2000
Master: mini VD
Formats: DVD
Systems: PAL
Colour: yes
Sound: no
Licence: copyright

This video forms part of the set of installations A des/temps, (In/Out of Time) created and exhibited at MXEspai 1010 in 2000, as part of Visions de Futur. The unique location occupied by MXEspai 1010, which is precisely at the highest point of the ancient Roman city (Barcino), known as Mount Taber in the Middle Ages, seems an ideal starting point for this project/route through time and history.
The video appeared on two televisions in the City History Museum. On them was broadcast what was actually going on around the pillars of Hercules, both "in time" (connection with the street) and "out of time" (prerecorded).